In Which Movie Broadcast Booth Do You Belong?

You'd work with Bob Costas and Al Michaels in Baseketball. These two pros took time off from their serious responsibilities to give the world analysis of the game that swept the nation in the late 1990s. You prefer veterans calling games on national television. But you don't necessarily care which sport you'd cover. These guys would take you under their wing.

You'd work with ESPN8 The Ocho's Cotton McKnight and Pepper Brooks in Dodgeball: A True Underdog Story. You prefer your announcers off-center and don't mind them occasional failing to make sense. Your sports preferences don't fall in line with most of the public's, with you opting for lower-tier games, and you don't care which network has the broadcast rights.

You'd work best with Chuck Neiderman, broadcaster of the Texas State Fighting Armadillos in Necessary Roughness. You think sports are best in college and wouldn't need a color commentator to help you bring insight and personality to the games. You don't mind some much-needed sarcasm and frequently tune into games on the radio. And you don't have a problem working in Texas.

You'd cover the Chicago Cubs with John Candy in Rookie Of The Year. You have no problem cheering on your team relentlessly in the booth, which would make you perfect for local radio. If a phenom like Henry Rowengartner emerges, you'd bring the perfect zeal to the airwaves to capture those 115-mph fastballs.

You'd fit in best alongside Harry Doyle and Monte in Major League. Like the Cleveland Indians' duo, you don't mind being overtly pessimistic -- and possibly angry -- on the air as the team flounders. You have a unique appreciation for local announcers and wouldn't mind emulating Harry Doyle and Harry Caray by cracking open an adult beverage during the game.