10 things you didn't know about Wagner
10 things you didn't know about Wagner
We're looking forward to welcoming internationally acclaimed Wagnerian baritone James Rutherford back to Scottish Opera on Sunday 28 February for a concert with The Orchestra of Scottish Opera, conducted by Music Director Stuart Stratford. Get in the mood for Sunday's concert with our handy guide to Wagner...
We're looking forward to welcoming internationally acclaimed Wagnerian baritone James Rutherford back to Scottish Opera on Sunday 28 February for a concert with The Orchestra of Scottish Opera, conducted by Music Director Stuart Stratford. Get in the mood for Sunday's concert with our handy guide to Wagner...
He designed a very unusual opera house
Wagner designed the Bayreuth Festival Theatre, which opened for the premiere of his four-opera cycle, Der Ring des Nibelungen, in 1876. Unusually, Wagner insisted that the orchestra pit in his theatre be hidden, to ensure that the audience would be looking at the singers and the drama onstage, and not be distracted by the orchestra.
He paved the way for modern cinema scores
Wagner popularised the use of leitmotifs — short, recurring musical phrases associated with a particular person, place, or idea. Leitmotifs are a common feature in modern cinema scores, including those of the Harry Potter and Lord of the Rings film series, and — most famously — Darth Vader's Imperial March in Star Wars.
He risked his life fleeing large debts
Wagner ran up huge debts in his early 20s, and hatched a plan to flee his creditors in Riga by sailing to Paris. However his journey was hindered by storms and high seas, and a trip that was expected to take eight days ended up taking three weeks! This stormy sea crossing was the inspiration for Wagner's Romantic masterpiece, Der fliegende Holländer.
He's been parodied by Bugs Bunny
Warner Bros. Cartoons' 1957 classic 'What’s Opera, Doc?' featured Elmer Fudd and Bugs Bunny in a parody of Wagner’s Ring Cycle. The cartoon is widely regarded as American animator Chuck Jones's masterpiece, and in 1994 was voted #1 in a list of the 50 Greatest Cartoons.